This value can be any supported color value, as described in CSS Values and Units. Each stop point has its own designated color, and the area between each point is filled with a continuous color transition from one to the other. Defines the color component of a stop point for the gradient. For elliptical gradients, the gradient-shape has the same ratio of width to height that it would if farthest-side were specified. Sizes the gradient-shape so that it exactly meets the farthest corner of the box from its center. Similar to closest-side, except the gradient-shape is sized to meet the side of the box that is farthest from its center (for circular gradients) or the farthest vertical and horizontal sides (for elliptical gradients). For elliptical gradients, the gradient-shape has the same ratio of width to height that it would if closest-side were specified. Sizes the gradient-shape so that it exactly meets the closest corner of the box from its center. For elliptical gradients, the gradient-shape is an ellipse size so that it exactly meets the vertical and horizontal sides of the box closest to its center. Two space-delimited length values or percentages.įor circular gradients, this value indicates that the ending-shape is circle sized so that it exactly meets the side of the box closest to its center. Its possible values are either two space-delimited length values (or percentages) or one of the following keywords. Size Optional value that specifies the size relative to the box closest to its center. Indicates gradient is in the shape of an circle. Indicates gradient is in the shape of an ellipse. Shape Optional value that specifies the shape of the gradient. Indicates gradient starts from right.ĭefault. Indicates gradient starts from center.įirst value only. Indicates gradient starts from left.įirst value only. This value can be one or two of the following keywords. ) Parameters starting-point Optional value that specifies a starting point for the gradient. Though the -ms-radial-gradient() function is still recognized by Internet Explorer 10, Microsoft encourages you to use the radial-gradient function, as it is compliant with the latest version of the CSS Image Values and Replaced Content Module Level 3 specification. Important The -ms-radial-gradient() function has been superseded by the radial-gradient function, which does not require the "-ms-" prefix and has a different syntax. The only adjustment here is a lift in curves, in particular the end point.Background-image: -ms-radial-gradient(left bottom, ellipse farthest-side, #F7FF08 0%, #21AD11 50%, #00A3EF 80%) I made it asymmetrical to make sure the fall-off into the field and on the couple wasn’t too harsh. The Linear Gradient is created to enhance the misty feeling of the background. A fair amount of shadow recovery with some negative contrast help eliminating dark shadows and soften up. The second Radial Gradient is made to lift the shadows from the couple’s faces. I pulled down the exposure, contrast and clarity to enhance focus on the couple. It works like a vignette, but is off-center and focuses more on the foreground than the sky. The first Radial Gradient is made very big with most of the top and left part left out of the image. This image has three Layers with Gradient Masks applied to them. In the end of this post, I’ll link to the tutorial to cover the tools themselves. I’m not going to explain in detail how to use the tools, as I will focus more on the examples. Let’s go through two examples of how they can be used! With the addition of Linear and Radial Gradient Masks in Capture One, the possibilities for efficient layered workflows have expanded.
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